Between November 2014 – October 2015 «Drop City, Newcastle» presented eight exhibitions in our permanent gallery at 20 South Street. As our location in Newcastle closed for redevelopment, we took the opportunity to explore alternative ways to open up diverse and dynamic potential for our activities and engagement with the city and beyond. Working in a peripatetic and collaborative capacity with regional and international initiatives, institutions, museums and art fairs across North East England, London, Vienna, Brussels, Düsseldorf, Madrid and Antwerp we were able to forge an exciting and responsive programme drawing on our multifaceted practices and relationships.



27 April – 24 May 2015

Incorporating works and contributions by
Eric Bainbridge, Paul Becker, Ralf Brög, Aleksandra Konopek, Sini Pelkki, Josh Wilson

at Durham Castle Museum, Durham
and Drop City, Newcastle


Eleanor Wright 'Variations on a Square (Munari)', 2015, direct print on silk organza, steel brackets, magnets, 200cm x 400cm

Sini Pelkki 'Embarkation', 2011, 16mm film transfered to HD, 16:9, 7’ 10”

Paul Becker 'The Opposite of a Pulpit', 2015, leads a walk through the real and the imaginary, personal and fictional spaces and events which draw from his time living in the city of Durham (partly in secret), the artist Ian Breakwell and the Durham Cathedral Residency (1983/2011).

Eleanor Wright/Sam Watson 'Kneelers for Tunstall Chapel', 2015, direct print on linen, upholstery pins, birch ply, church kneeler foam, 12cm x 25cm x 45cm each - Durham Castle permanent collection

Eric Bainbridge 'Untitled', 1997, melamine chip board, nails, dental floss and Eleanor Wright 'Fence', 2015, direct print on cotton - Durham Castle permanent collection

Eleanor Wright 'Aalto', 2015, direct print on cotton - Durham Castle permanent collection

Eric Bainbridge 'Untitled', 1997, melamine chip board, nails, dental floss and Eleanor Wright 'Masons Marks', 2015, direct print on cotton - Durham Castle permanent collection

Ralf Brög and Eleanor Wright/Sam Watson 'Isolation (Loggia)', 2015, photograph, direct print on cotton, valchromat, glass, 40cm x 40cm x 100cm each

Eleanor Wright 'Tow', 2015, carbon fibre, Valchromat 60cm x 80cm each

Aleksandra Konopek 'OC2', 2014, folded paper lamp, 30cm x 30cm and Sini Pelkki 'Embarkation', 2011, 16mm Film transfered to HD 16:9, 7’ 10”, flatscreen

Eleanor Wright/Sam Watson 'A Gradual Stiffening', 2015, photographic series, mountboard, walnut frame, 40cm x 50cm each

Publication with 'Pace and Place' and Sini Pelkki 'Embarkation', both texts by Josh Wilson, 2015 and Paul Becker 'The Opposite of a Pulpit', 2015, paper, plastic wallet, edition of 250, 120mm x 220mm


Continuous Material is an exhibition by Eleanor Wright and Sam Watson with six invited artists and collaborators, commissioned by University College and the Centre for Visual Arts and Cultures, Durham University. The exhibition explores the sites of Durham Castle, Durham UNESCO World Heritage Site and the contemporary art gallery Drop City in Newcastle through the practices of all eight contributors, their individual approaches to objects and storytelling, formally and conceptually and how the artworks they produce suggest narrative worlds each with their own set of rules and parameters.

Remixing recent and distant history alike, the moulding and reshaping of history forms a quiet backdrop to a series of new and existing works in the exhibition. Manoeuvring through two sites in two cities visitors encounter a series of subtle relationships between place and narrative, the exhibition and the personal, and the role of the artist as producer and storyteller in a continuously historicised and reinvented world.

In the first venue, Durham Castle, a host of found and crafted objects are arranged amongst existing artefacts within museological display cases and bespoke exhibition furniture. This sequence follows a principle of repetition and development that runs through Wright/Watson’s work as a whole. The second part of the exhibition, displayed in the gallery space of Drop City, contains a series of new works including the photographic series A Gradual Stiffening, depicting existing works, objects and exhibition arrangements and re-arrangements recorded in process ? alluding to the virtual connections between apparently isolated events and objects.

Wright/Watson are interested in how both situations of Continuous Material (Durham Castle and Drop City) can provide certain modes of experience for the audience. The exhibition features a number of works by themselves and invited artists that function between sculpture, photography, architecture, literature and curation; sculptural objects by Eric Bainbridge presented amongst historical artefacts; the film work Embarkation by Sini Pelkki; a spatial light design by Aleksandra Konopek; and Ralf Brög’s Isolations, which are here re-worked into a series of collaboratively designed and integrated display objects, developing a relationship between artwork and display, collaborator and curator.

Alongside two main physical exhibitions of artworks, there are a number of elements which are spread across and beyond the specific sites and timescales of the exhibition. Paul Becker’s The Opposite of A Pulpit is a newly commissioned text based around a series of real and fictional walks through the city of Durham, where he lived, partly in secret, between 2008/9. Like much of Becker’s work, the writing is concerned with the crossovers between literary fiction and art making. The ambiguous and liminal figure of the artist/writer embodies some of these parallels. The writing produced for this project will also form part of a guided walk through the city of Durham, whilst Josh Wilson’s Place and Pace takes on the role of critical essay, exhibition hand-out and text piece which is to be distributed across both venues in the form of a map. This newly commissioned piece discusses the formal and analytic connections between the artwork included within Continuous Material, and considers the language that circumscribes exhibition making, playing with the displacement of patterns, urban or otherwise.


Paul Becker: The Opposite of a Pulpit
City walk and reading through Durham
1st May, 6.30pm

Join us as Paul Becker leads a walk through real and imaginary, personal and fictional spaces and events relative to his time living in the city, to the artist Ian Breakwell and to the Durham Cathedral Artist’s Residency (1983-2011). The walk will begin at 6.30pm on Framwellgate Bridge and will stop at various points throughout the city, ending up at Durham Castle at 7.30pm when refreshments will be served at the public launch of the Continuous Material exhibition.


Part I  Public Reception
Durham Castle, Durham
1st May, 7.30pm-9.30pm

Part II  Public Reception
Drop City, Newcastle
7th May, 7pm-9pm
Artist Kate Liston will mix ancestrally-inspired drinks for the Drop City opening, proposing the posthuman and transhuman possibilities of Paleo Futurism as the liquids maneuver through your microbiome.

The Late Shows: Josh Wilson live performance
Drop City, Newcastle
16th May, 7pm-11pm

Friendly Takeovers
Three special guided tours, Friendly Takeovers, conceived by Wright/Watson will take place at Durham Castle on 30th April, 2nd May, and 9th May at 4.15pm.

Friendly Takeovers will highlight divergent versions of the Castle’s long history and current uses, unearthing various ideas of knowledge. The tours will address a variety of subjects in the castle and exhibition whilst following the format of the familiar heritage tours.

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