Between November 2014 – October 2015 Drop City, Newcastle presented 8 exhibitions in our gallery at 20 South Street. Since it is Drop City’s ambition to work with artists who are at various stages of their careers and whose practices have a particular reference to Drop City and its founders motivations, the gallery space allowed for an intense and complex relationship to develop between artists and audiences during our first year.
As our location at 20 South Street closed for re-development, we are excited to take this opportunity to explore more ways to work in the city, carrying on the format of a commercial gallery – representing and supporting our artists work on the art market – whilst opening up more diverse and dynamic potential for our activity and engagement with the city.
Drop City, Newcastle
at 20 South Street
Los Barbaros (‘The Barbarians’) (2015) is the recording of a live event, a non-choreographed, spontaneous performance that takes place at the Villa Pedregal on the outskirts of Mexico City from a Saturday afternoon to the early hours of the following morning. With no script, no storyboard and no specific instructions to the participants, twenty acquaintances are invited to dine, drink and talk, to freely roam and rummage around the vast house and its garden, to leave whenever bored or invite other friends to join. Meanwhile, a camera discreetly records the event by adapting to the occurrences and reacting to the unexpected developments of the evening. As night takes over, drunkenness and tiredness ease away social restraints and reservations, overcoming shyness and slowing down reactions.
For this first edit of the film, the narrative is developed though the use of only two voices, two abstract characters speaking over the top of the images: the voice of the house (a rational voice, the voice of the act of writing, of creative ordering) and the voice of the night (an aggressive, instinctual utterance, the gut irrational feeling ascribed to certain kinds of fiction). The two monologues, albeit similar, never completely overlap; one fades slowly onto the other, both maintaining a certain distance from the event itself, menacing and yet oddly remote, disconnected from the real action, even gratuitous.
Francesco Pedraglio is an artist working with writing, performance, film and installation. He was born in Como (Italy) in 1981.
Recent performances and exhibitions include: MAZ-Museo de Zapopan, Mexico (2014); CCA Glasgow (2014); Hayward Gallery, London (2014); Rowing, London (2013); Jeu de Paume (2013), Kunsthalle Basel (2012); ICA (2012); Auto Italia South East (2012); Galerie Kamm, Berlin (2012); Hollybush Gardens, London (2011), The National Portrait Gallery (2011); Wysing Arts Centre, Cambridge (2011).
The Object Lessons, a novella made in collaboration with Nina Beier and Marie Lund, was published by Mousse in 2012 and A man in a room spray painting a fly was published by Book Works last year. Pedraglio is a founding member of the London based curatorial initiative FormContent (www.formcontent.org).
See more work by Francesco Pedraglio
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